Now only regressive serials are being made by incompetent people whose only aim is to earn money.”Īlso read: Mungerilal Ke Haseen Sapne: India’s Walter Mitty and a popular political toolīenegal was bold in his portrayal of many characters such as that of Duryodhan and even Allaudin Khilji. Daljit Singh, an entrepreneur, reminisces, “Those were the days when such top-class serials were made and shown on Doordarshan.
Many from that generation even complain about how quality of Indian television has nosedived into melodramatic daily soaps with no substance. The show was very well written, documented and wonderfully depicted.” I learnt a lot about history and fell in love with it. So it was no surprise that when the government decided to rerun old Doordarshan shows like Ramayan and Byomkesh Bakshi during the coronavirus-induced nationwide lockdown, Bharat Ek Khoj was also in high demand.ĭeepa Srivastav, who runs her own boutique, tells ThePrint, “My childhood was enriched with these episodes. It took more than 500 actors (including Naseerudin Shah, Shabana Azmi, the late Om Puri and Irrfan, Roshan Seth, Ila Arun and many more), 25 writers headed by Shama Zaidi, 144 sets whose designs spanned several centuries, three-and-a-half years of meticulous research by 22 historians with the help of many government institutions, including the Archeological Society of India, and roughly 20 months of shooting.Īlso read: Trishna, the popular 1985 Doordarshan adaptation of Pride & Prejudice, is now on YouTubeįor many children of the ’80s, the show was a great source of history and perhaps a more interesting way to learn and understand a subject that is typically considered boring. It has several episodes dedicated to southern India such as the history of the Chola empire, and it also shines a spotlight on some of India’s major literary mythological epics, such as the Ramayana, Mahabharata, Cilappatikaram and Shakuntala. “I developed two viewpoints - one is that of Nehru (narrated by Roshan Seth) and the other is a counter viewpoint (narrated by Om Puri), which is a contemporary voice that fills blanks or brings in different perspectives,” Benegal said in an interview with Prasar Bharti.Īlso read: Fauji: The show that launched a broody, chain-smoking SRK on the path to Bollywood gloryīeginning from the Harappan Civilisation, the show is an epic sweep that covers aspects of Indian history such as the formation of caste, the reign of Chanakya and Chandragupta Maurya and then Ashoka, the rise of the Mughal empire and its descent at the hands of Maratha ruler, Shivaji, the arrival of the British East India Company and the freedom struggle. The ambitious project wasn’t simply a deconstruction of history, but a confluence of its many cultures.īased on Nehru’s book, The Discovery of India, which he wrote while in prison at the Ahmednagar fort for participating in the Quit India movement, the show was an attempt to bring to life what Nehru wrote while also bridging the gaps in between. This was just one of the heavy-duty, vital topics addressed every Sunday at 11 am on Doordarshan in Shyam Benegal’s monumental series, Bharat Ek Khoj.Īired between 1988-89, the 53-episode long series, with each episode spanning anywhere from 30 minutes to 90 minutes depending on the topic being covered, brought to life the 5,000 year-old history of India and the subcontinent in perhaps the most consolidated manner possible. Stationing himself in front of the mic, he asks, “What do you mean by that cry, who was this ‘Bharat Mata’, whose victory do you want?” Twenty years on I continue to be fascinated.Crowds of people walk across a village with cries of ‘Bharat Mata ki Jai’ reverberating as Jawaharlal Nehru takes the stage. I can safely say, it was this discovery that first made me sit up and take notice of Hinduism. I read it over and over again, hardly believing this gem I had found.
I still remember the day I stumbled upon this, twenty years ago, in a deserted library in Connecticut, US.
Why does religion have to have all the answers? Perhaps the joy is in contemplation. The questioning of everything, even God ! And the acceptance of ‘not-knowing’.
This extraordinarily beautiful hymn called Nasadiya Sukta is from the Rig Veda, the oldest of the Vedas dating back to at least 5000 years.Īnd yet how modern it is. (translated by V.V Raman, University of Rochester) Leaving with you one of my favourite hymns from the Rig Veda as I take a short sabbatical from the blog to deal with more pressing commitments and generally get a handle on my life :)